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	<title>Media art &#8211; Chiharu Koda</title>
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	<title>Media art &#8211; Chiharu Koda</title>
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		<title>Imaginat (2025)</title>
		<link>https://chiharukoda.com/portfolio/imaginat/</link>
		
		<dc:creator><![CDATA[Chiharu Koda]]></dc:creator>
		<pubDate>Fri, 31 Oct 2025 11:52:09 +0000</pubDate>
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					<description><![CDATA[Interaktive Exhibition &#8220;Imaginat&#8221;August – September 2025 &#124; Studio Hö, Karlsruhe painted wood, colored paper, ecological plastic produced from Rhine water, 3D objects printed from plant-based PLA (Polylactic Acid) filament, BEMAR (projector), computer, web camera The project “Imaginat” was an interactive exhibition in which visitors could directly experience the connection between analog and digital forms of expression.At a table in the center of the exhibition space, participants created three-dimensional compositions using&#8230;]]></description>
		
		
		
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		<title>Substance (2025)</title>
		<link>https://chiharukoda.com/portfolio/substance/</link>
		
		<dc:creator><![CDATA[Chiharu Koda]]></dc:creator>
		<pubDate>Mon, 22 Sep 2025 07:36:00 +0000</pubDate>
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					<description><![CDATA[Interactive Installation with cymatic effects Collaborative work Concept:Chiharu Koda, Sierk SchmalzriedtArtistic concept, Development, Structure &#38; Installation:Chiharu KodaTechnical Programming (Vibration Control System):Studio FluffyLive-coding (Performance):Toplap Karlsruhe Interactive installation with cymatic effects:3D objects printed from plant-based PLA (Polylactic Acid) filament, painted wood, concrete, spring, loudspeaker, loudspeaker cable, metal, ecological plastic made from Rhine water, transducer, sponge, amplifier, water The installation “Substance” is an interactive artwork that uses cymatic effects to make water in&#8230;]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">3633</post-id>	</item>
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		<title>Unterhalb (2024)</title>
		<link>https://chiharukoda.com/portfolio/unterhalb/</link>
		
		<dc:creator><![CDATA[Chiharu Koda]]></dc:creator>
		<pubDate>Sun, 20 Oct 2024 16:00:14 +0000</pubDate>
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					<description><![CDATA[Installation Arduino, bemaltes Holz, Betonwürfel, Erde (Ton) an einem Teich, Kabel, Motoren, ökologisches Kunststoff aus Rheinwasser, 3D-Objekte aus pflanzenbasiertem PLA (Polymilchsäure)-Filament beneathInstallation 2024 Arduino, cables, concrete cubes, earth (clay) from a pond, ecological plastic from Rhine water, motors, painted wood, 3D objects printed from plant-based PLA (Polylactic Acid) filament ___ Diese Installation besteht aus zwei drehenden Würfeln, die Wärme und Kälte symbolisieren. Als Kind habe ich oft die geologischen Schichten&#8230;]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">3108</post-id>	</item>
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		<title>Two Windows (2021)</title>
		<link>https://chiharukoda.com/portfolio/two-windows/</link>
		
		<dc:creator><![CDATA[Chiharu Koda]]></dc:creator>
		<pubDate>Mon, 18 Jul 2022 09:00:00 +0000</pubDate>
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					<description><![CDATA[Installation mit generativen Klängen basierend auf Wetterdaten‭ (‬1987‮–‬1990‭) ‬in einem hellen und einem dunklen Raum‭, ‬sowie Innen‭- ‬und Hinterhof‭.‬Ausstellungsort‭: ‬Port Art and Design Tsuyama‭, ‬Okayama‭, ‬JP Installation with generative sounds based on weather data (1987–1990) in a bright room, a dark room, as well as the interior and backyard.Exhibition venue: Port Art and Design Tsuyama, Okayama, JP Two Windows‭ &#8211; ‬KonzeptDiese interaktive Installation war ein Experiment‭, ‬das untersuchte‭, ‬wie vergangene&#8230;]]></description>
		
		
		
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		<title>Artistic Research on &#8220;memo.re&#8221;</title>
		<link>https://chiharukoda.com/portfolio/memo-re/</link>
		
		<dc:creator><![CDATA[Chiharu Koda]]></dc:creator>
		<pubDate>Fri, 15 Jul 2022 11:00:07 +0000</pubDate>
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					<description><![CDATA[2021 The website was developed specifically for the project.Die Website wurde eigens für das Projekt entwickelt. www.memore.chiharukoda.com (in germen / auf Deutsch) Research Background How is space generated?How do experiences and encounters rewrite the archive of my memories? For several years, I have been exploring the “form” of memory — an ambiguous and mutable dataset.I treat the layers of my childhood memories as samples, analyzing the emotional traces embedded within&#8230;]]></description>
		
		
		
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